54 New Road, Willenhall was the site of the Hodson Shop. The building is now in the care of the Black Country Living Museum (BCLM) and goes by the name The Locksmith’s House due to Edgar Hodson’s successful lock making business that operated from the same site.
The house isn’t normally open to the public, so I jumped at the chance to go on a special visit with historian Rod Quilter. I spent a wonderful afternoon exploring 54 New Road. It felt odd to be in a place that I have read and written so much about.
Stepping into the shop, which now functions as a reception area/gift shop/mini exhibition space I was instantly struck by how small it was. My only previous experience of the space had been from a black and white photo taken in 1983 – whoever took it had obviously applied estate agent style photographic skills!
There was display case of 1920s clothing and shelves in alcoves to either side of the fireplace. In fact, the fireplace was my only real point of reference from the photograph; the display units were all new additions. The shelves held corsetry, accessories and haberdashery items – everything on display had been loaned from Walsall Museum. A door between the shop and neighbouring parlour had been filled in. The shop was accessed from the street by walking through the front door and walking a short way down a stone-floored hallway. It seemed strange for the shop to share an entrance with the rest of the house, as if the boundaries between personal and business spaces were blurred.
The parlour had been recreated with a combination of reproduction soft furnishings and original furniture. There was a booklet of photographs on a small table; it contained images of the Hodson family including a stunning photograph of a youthful Flora Hodson.
We went upstairs to a small office space; it was next door to the master bedroom – again with the blurred lines between business and private life. The bedroom was quite poignant, it was where Flora Hodson slept, alone in the house, following the death of her sister and brother.
Edgar Hodson’s lock making business is the focal point of the property. We were lucky to get a tour of his factory and some facts about lock making from a volunteer called Andy who is a locksmith himself and runs demonstrations for visitors. It turns out that Edgar supplied locks all over the world, including a booming business in Latin America.
It was fascinating to walk through the house and it got me thinking about how the collection has become separated from its original environment. I am very interested in how the historical narrative of lockmaking has been prioritised over one of shop keeping and clothing. On a more practical level, I am struggling to imagine how the collection once fitted into such a compact space!
As mentioned above, the house isn’t generally open to the public – school and group visits can be arranged by contacting the BCLM. However, the house has an annual free open day complete with tours and lock making demonstrations. The next one is Saturday 14th September, 10am-4pm. I’d highly recommend it.
Massive thanks to Jo Moody and Andy at BCLM, Catherine Lister at Walsall Museum and Rod Quilter for a wonderful afternoon!
Fun fact: The Hodson Shop Collection contains no beachwear. I need to do a bit of digging as to why this might be but I have a couple of theories:
1) Willenhall is about as land-locked as a town can be, so a swimming costume would be more of a luxury than a necessity.
2) The Hodson Shop simply wasn’t the sort of place that sold swim wear – maybe bathing suits were purchased from more specialist retailers?
Whilst Edith and Flora Hodson might not have been purveyors of bikinis and bathing costumes, the people of Walsall borough definitely had a desire to splash around at the seaside!
Walsall Museum’s Summer on the Beach exhibition gives a vibrant overview of 20th century beachwear, drawing from the Museum’s extensive Community History Costume Collection.
Can you picture yourself parading along the beach in a psychedelic seventies bikini or sunning yourself in a floral fifties bathing suit with puffed skirt? How about dodging waves in a heavy stockinette Edwardian bathing dress? And for the men they have just the thing for taking a dip, a thick woollen swimming suit.
Summer on the Beach is on show from Thursday 13 June until Wednesday 11 September 2013. It can be seen within Walsall Museum’s Changing Face of Walsall gallery on the first floor of the Central Library building. Entry to the Museum is free of charge, for further information please contact 01922 653116 or email firstname.lastname@example.org.
Note: The pictures below aren’t from the actual exhibition – they were taken at an event earlier in the year. Both of these swimming costumes feature in the exhibition and give a good idea of the flamboyant and colourful nature of the swimwear. I’m pretty smitten with the butterfly print number!
Aprons and overalls from The Hodson Shop Collection star in Walsall Museum’s latest exhibition, Factory Girls.
The exhibit celebrates these often overlooked aspects of working women’s attire, from 1920s-1970s. Whilst the overalls and aprons served a practical and protective purpose for the women who worked in Walsall’s factories, they were also attractive garments in their own right; with bold and striking prints and cuts that echoed the shape of the era’s fashionable dress.
Factory Girls features a wide variety of overalls, pinafores and aprons worn by women during the 20th century to protect their clothing while out at work. They range from the dress-like overalls of the 1920s, through the classic cross-over pinny styles of the 1930s and 40s to the nylon jacket styles of the 1960s and 70s.
I personally adore the Hodson Shop paisley wrap-around dress-style overall from the 1930s (below, centre) – it manages to be at once practical and relatively elegant, far better than my standard housework attire of scruffy jeans and a hoodie!
It is exciting to see these everyday and instantly recognisable garments on display (did anyone else’s Nan used to answer the door wearing something strikingly similar?!) . They serve as reminders that Walsall’s industrial past, whilst certainly dirty and far from glamorous, was still bright, colourful and beautiful.
Factory Girls runs until 12th June 2013 and is set to complement the upcoming A Centenary of Stainless Steel exhibition that celebrates the renowned Bloxwich-based stainless steel manufacturers, Old Hall which runs 9th April-1st June 2013.
You can visit Factory Girls at Walsall Museum’s Changing Face of Walsall gallery on the first floor of the Central Library building. Entry to the Museum is free of charge, for further information please call 01922 653116 or email email@example.com.