With this being Museums Week, I’ve decided now is a good time to share one of my happiest and most inspiring memories of working with Walsall Museum. Yesterday, people were sharing their museum inspirations on Twitter using the hashtag #inspirationsmw. My museum inspiration started with a visit to Walsall Museum stores back in October 2011.
The museum will close to the public on 31st March 2015. Whilst Walsall Council’s decision to close the museum is saddening, there are reasons to remain positive about the museum’s future. There are plans afoot to move the museum to a new location in 2018 and the Changing Face of Walsall exhibition is being moved to a temporary home at Walsall Leather Museum from 25th July 2015. I’ve also been in discussion with the team regarding pop-up exhibitions. Collections will still be accessible to the public through a range of initiatives – you can find out the full details on the museum’s web page.
As a researcher, I am hopeful that the Hodson Shop Collection (and the rest of the museum’s collection) will continue to be promoted and made available for people to see and study. I’ve seen first hand how people connect with the collection. People can relate to it on a personal level – their mother or grandmother might have worn an apron like that or they had to wear a liberty bodice as a child and can remember the fabric itching on their skin. The Hodson Shop Collection isn’t about spectacle, it is about the everyday things that can often be taken for granted. The things that we don’t expect to find in a museum display but find captivating all the same. Over the two and a half years of this project, I have got to know the collection; without getting too sentimental, it is fair to say that it has found a place in my heart.
It all began back in 2011. I was preparing for my first interview for a PhD studentship and wanted to see the collection up close. I’d never visited a museum store before so I had very little idea of what to expect. I definitely didn’t expect to find myself stood outside a trading estate on the outskirts of Walsall. The building looked like any other anonymous industrial unit, with shutters and a corrugated roof. A forklift truck was buzzing around and there was a constant background clatter of light industry. The surroundings were not in keeping with the treasure trove of twentieth century clothing I had been promised.
Catherine, the museum’s Collections Officer let me in and showed me around. We didn’t know it then but we’d be working together a lot over the coming years. There are plenty of clichés and idioms about judging things by external appearances and I’m going to add another: never judge a museum’s store by it’s exterior. There were shelves stretching from floor to ceiling and aisle after aisle of treasures. The costume collection was stored on a series of calico-covered rails or in boxes stacked down the length of an aisle. Catherine pulled the cover from the Hodson Shop Collection dress rail. The dresses were arranged in age order, starting from the 1920s. I remember being struck by how colourful they were. I was allowed to take out some of the dresses to look at more closely. The first that struck me were the pastel pink and pistachio 1920s dancing dresses with the drop waist and floral corsage. My favourite was a 1930s floral tea dress with a white collar – my first response was ‘there’s something a bit Prada about it’!
There was something magical about opening the boxes and pulling away layers of tissue to reveal the contents. A box of aprons was dazzling, with a riotous mix of prints and gaudy colours. There was the blue and pink wool jersey St Margaret jumper suit, assured in its elegance and (relative) expensiveness to this day. The one thing that has stuck with me in startling clarity was the experience of opening a box of cosmetic items. The smell was overwhelming and instantly familiar – it reminded me of rummaging through my Grandma’s make up bag as a little girl and playing with her frosted pink Avon lipstick. From that point, I knew that I was hooked.
I know that I have been incredibly privileged to get this close to museum items. It is something that I am incredibly grateful to Walsall Museum for. With the closure of the museum, the Hodson Shop Collection will no longer have a display space meaning that the public won’t be able to see the garments. The prospect of the collection being mothballed and kept out of sight is awful. The Hodson Shop Collection has the potential to inspire many, many more people. It needs to be recognised and celebrated as a significant part of not only Walsall’s heritage but of British social and dress history too.
I want to take this opportunity to thank the team at Walsall Museum for their support over the past four years. They have been helpful, knowledgeable and unwavering in their commitment to this project from day one, even when times have been tough.
You can visit Walsall Museum up until Tuesday 31st March. Please show them your support!
Opening hours: Mon-Sat 10am-5pm
Address: Walsall Museum, Lichfield Street, Walsall, West Midlands WS1
Tel: 01922 653116
Walsall Museum has been saved!
As I blogged about previously, the museum was facing the threat of closure as part of a package of cuts by Walsall Council designed to save £19million.
It looks like public support for the museum played a big part in the council’s decision, so massive thanks to those who took part in consultation and/or signed the online petition.
See the Express & Star for more details:
Whilst researching the history of the Hodson Shop Collection it has become clear that collections are subject to influences far beyond the display case or store room. The closure threat made this strikingly clear.
I’d like to take this opportunity to thank the team at the Walsall Museum for their ongoing support for this project – even during uncertain and troubling times.
The current exhibition at the museum is Gaslight Gothic, which explores the darker side of Walsall’s history. It includes examples of Victorian mourning dress alongside tombstones, taxidermy and other odd and obscure items from the museum’s collection. The exhibition is in the Changing Face of Walsall Gallery on the first floor of the Central Library Building on Lichfield Street, admission is free.
Over the Christmas break I came across this petition to save Walsall Museum. You can find out more about the closure threat in this post. The petition aims to get 1,000 signatures so it would be great if you could sign and share the link:
This isn’t just about the future of the Hodson Shop Collection, it is about providing a permanent and easily accessible home for the history of Walsall.
Many thanks and a (slightly delayed) Happy New Year to you all!
I received some sad news earlier this week. Walsall Council have announced a package of cuts in spending that will result in the closure of Walsall Museum. Whilst the cuts are currently the subject of public consultation (readers living in Walsall can find details of consultation events here), it is fair to say that things don’t look good. This blog isn’t the place for a detailed explanation of the council’s decisions – for those I point you towards The Express and Star.
It is unlikely that closure will have an adverse effect on my research but it does mean that hardworking, knowledgeable and dedicated staff are now facing the threat of redundancy. It also means that the Hodson Shop Collection (and the museum’s other collections) will retreat even further away from public view. Finally, there’s the fact that the people of Walsall will be losing a place dedicated to their history.
Everything about the situation is sad and my thoughts go out to everyone affected by the announcement. If anything, the news has strengthened my resolve to shout about the Hodson Shop Collection from the rooftops. The collection has so many stories to tell and I’m going to strive to make sure that they are heard.